Intercontinental Bienal

Latency Performance

Museo Nacional de la República- Brazil

Play Name: Latency

Latency is a collaborative music and dance performance by Radomirka Siljanoski, dancer from Serbia and Kristian Eliasson, musician from Sweden. The project explores the deep and personal connection between two individuals through the unconscious mind, cultural stories,  and unique human needs and wishes.

 The performance invites the audience to witness a raw and unfiltered interaction, where music and movement are born out of shared unconscious impulses. The music, crafted using raw, old analog synthesizers, mirrors the organic, spontaneous nature of the performance, while Radomirka’s dance embodies the fluidity and unpredictability of our connection.

The project aims to engage audiences by creating a space where cultural narratives and personal histories intertwine, offering a fresh perspective on the human experience.

Intercontinental Bienal

Finalist Play: Latency

Performing Arts: Participating Countries;  Serbia & Sweeden

Presented

Radomirka Siljanoski

Performer

Radomirka Siljanoski

Music

Kristian Eliasson

Latency

Short film projection  at National Museum of the Republic, Brasilia, Brazil, South America. Day: July 04, 2025

The museum is located on the Esplanade of the Ministries in Brasilia, the capital of Brazil.

National Museum of the Republic . Brazil, South America

Kristian Eliasson

Music

Kristian Eliasson is a sound fetishist and gatekeeper of the perfect sound. Kristian has for many years experimented with fine-tuning perfect sound. Analog or digital doesn’t matter and performing between the madness of noise and melodic music he explores the balance between chaos and perfection.

Radomirka Siljanoski

Performer

Radomirka Siljanoski  is an independent artist and performance artist who explores different mediums – movement, film, vocals, music, and performance as a connection to a higher world. Art is a path to spirituality for her. In her expression, she strives for sincerity, spontaneity in transmission, and high ethics, from which empathy and care naturally emerge as supreme principles that lead to the revival and healing of both the individual and society. Her works were performed on many festivals at Serbia and abroad.